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THE
STORY
WHY
DID YOU MAKE THIS ALBUM?
As I said
in the liner notes: "Some people have a cause, some people
have a mission, some people have a vision, some people have
a crusade. Friends, I know what you're thinking: Greg, yours
seems a little silly."
And yeah,
it's silly. Because it's true! We have so many love songs
with such ridiculous messages. So I seriously want to raise
the bar for love songs, and have some fun while we're at it.
Fortunately,
I do think our concept of love and relationships is evolving.
(Finally.) But too slowly! There are so many people out there,
and even songwriters, script writers, book and advertising
writers, who keep reinforcing this concept of love as a "rescue
me" event. Or as The Righteous Brothers, one
of my favorite groups, put it: "Baby, you're my reason
for laughin', for cryin', for livin', and for dyin'."
Whew.
No pressure.
I't's
time for people to get the difference between sad songs
and victim songs. It's natural to be sad when you lose
somebody, and sad songs can help us grieve. That's fine. That's
peachy. (Although if you're still grieving after ten years
or so, you might want to think about changing the tape.)
But when
they cross the line and say "I might as well flush myself
down the sewer because without you, I'm fertilizer,"
or "Bend me, shape, me, any way you want me, long as
you love me, it's all right," I think we're headed for
therapy. It's an important distinction.
(Did you
know that in primitive cultures where sex is freely available
there is no such thing as romantic love? That's food for thought,
but I digress.....)
As I also
said in the liner notes, a certain wise man I know likes to
say that one of the more radical things you can do in our
culture is to have a good day.
So I hope
the funny songs make you laugh, and the serious ones make
you feel good.
INFLUENCES:
The first
real influence I can remember was a Tony Bennett album
of my parents' that I almost wore out. He was quickly followed
by all the usual suspects: Elvis, The Beatles,
The Beach Boys and The Byrds, Motown.
Also Nat King Cole. But I was also a big fan of novelty
songs. Ray Stevens, then later Steve Goodman,
John Prine, Jim Stafford, Randy Newman,
Lyle Lovett.
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